Education

  • Conditions Studio Programme, 2021 - 2022
  • Goldsmiths University, 2018 - 2021, BA Fine Art
  • Kingston School of Art, 2017 - 2018, Art & Design Foundation

Exhibitions

  • SOS_23 WIP Exhibition, South London Gallery, 2023
  • Means, Bermondsey Project Space, 2023
  • Early Years Creativity Project, Barking Learning Centre, 2023
  • 3D Women Platform, Art Hub, 2023
  • Doing Better With Worse, Ugly Duck Gallery, 2023
  • Conditions Show, Whitgift Centre, 2022
  • -topia, Bermondsey Project Space, 2022
  • I Know a Guy..., Art Hub, 2022
  • Deep Meaningful Conversation, Ugly Duck Gallery, 2022
  • Degree Show, Goldsmiths University, 2023

Residencies

  • ACAVA Hosts: Barham Park Studios Residency, 2023
  • School of Speculation, 2023

Publications


Collections


Workshops, Events & Projects

  • Fine Art Summer School, Goldsmiths University Widening Participation, 2023
  • Early Years Creativity Project, Bow Arts & Barking and Dagenham Nursery Consortium, 2023
  • We regret to inform you!, 3D Women Platform, 2023
  • Another Art School is Possible, A Particular Reality research project, Goldsmiths CCA, 2023
  • Reimagining Crits, A Particular Reality series, 2023
  • Rights in Focus Conference, Autograph, South London Gallery & UAL, 2023
  • Early Years Creativity Project, Bow Arts & Dagenham Nursery Consortium, 2023
  • I can see my house from here, Anstee Bridge & Kingston School of Art, 2023
  • Shifting the Margins, Goldsmiths Teaching and Learning Innovation Centre, 2023
  • Art School, Backwards, A Particular Reality & Kingston School of Art, 2023
  • Harsh Light, Bloc Projects, 2022
  • Souvenir/Collection/Archive, Goldsmiths CCA, 2022
  • What does an anti-racist classroom look like?, Thomas Tallis School, 2022
  • Mark Leckey invites Conditions, NTS Radio, 2021




My practice traverses photography, sculpture, writing and time-based media to investigate how social histories are seen in objects and images. I am interested in the conflicts and crossovers between speculative figures of the artefact and heirloom, exploring grief and cultural loss through the use of outmoded technologies and found ephemera. By working within languages of archival, traditional and analogue practices; I aim to place the emotional histories of communities in conversation with broader investigations into how our interactions with institutions and industry are recorded in public and private spaces.

I also work collaboratively with Christopher Bond, and as part of the inter-institutional collective A Particular Reality, which focusses on anti-racism and non-hierarchical practices in art and education. My work is informed by and responsive to my practice in education, frequently developing and facilitating workshops and projects with a social justice focus for a range of students, children and young people in school, university and gallery settings.